

The material seems tailor-made to Zemeckis’ expertise, and he flexes those skills with gusto. With its complex worlds composed of humans, animate objects, talking animals and faeries, a live-action adaptation of Pinocchio requires a hybrid approach to filmmaking technology. As the visionary behind Death Becomes Her, The Polar Express and, most significantly, Who Framed Roger Rabbit?, Zemeckis has become a master of blending digital animation, human performances and classic storytelling. Where the original feels overly didactic and moralizing, Zemeckis takes the opportunity to lighten the danger and present new visuals and ethics better suited for today’s audiences. This is because the morals begin posed are equally rigid and severe. Its menacing villains and high stakes make Pinocchio’s punishments violent and threatening. Pinocchio (voiced by Benjamin Evan Ainsworth), in his naivete, wants to be “real” for his father. One magical night, the Blue Fairy (Cynthia Erivo) answers his wish and bestows the gift of life on the puppet Pinocchio. Geppetto (Tom Hanks) is a lonely clockmaker and sometimes puppeteer who wishes for a son above all things.
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Yet, by skillfully manipulating the lines of reality, Zemeckis creates a film worthy of its visual efforts, one with a mostly real purpose: To update the film for contemporary audiences. In the recent cavalcade of productions based on the 19th century Italian tale, none comes more entangled than Robert Zemeckis’ live-action retelling of Disney’s 1940 classic. Let’s be real: Any contemporary adaptation of Pinocchio will come with strings attached. Stars: Tom Hanks, Cynthia Erivo, Giuseppe Battiston, Luke Evans, Benjamin Evan Ainsworth, Joseph Gordon-Levitt, Keegan-Michael Key Here are 15 of the biggest new kids movies from the last few months: 1. We’re keeping a running list of the latest movies for children for you to peruse and find something that the whole family might enjoy. I was always so thankful for those rare family films made with the same kind of care that went into the latest arthouse flick.

And I also remember feeling like studios took advantage of that desperation for entertainment, filling the latest unoriginal script with enough silly gags that the little ones would giggle as the parents checked the time.
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As the father of three young adults, I remember clearly those days when we’d watch just about any new kids movie that was released.
